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Mountain Dew Lets Fans Plan Tour, Events

By numantra on June 29, 2010 8:55 AM

Mountain Dew Lets Fans Plan Tour, Events
by Karlene Lukovitz, 
Monday June 28, 2010

Typically, a brand event is at least months in the planning -- or if not, likely requires hyper mode by the agencies handling it.

But while seat-of-the-pants activation may be inadvisable for most events, a 30-day, 69-city "grassroots" promotion tour that was part of Mountain Dew's year-long "DEWmocracy 2" campaign may point to an alternative worth considering.

In synch with DEWmocracy 2's mission of engaging fans by having them campaign and vote to determine which of three new Dew flavors would be rolled out by PepsiCo, the destinations, activities and venues for the "DEWmocracy: The Flavor Campaign" tour were also largely determined by fans.

The basic concept: Three mobile teams comprising agency/marketer reps and hardcore Dew fans -- each team "campaigning" for its own Dew flavor (White Out, Typhoon or Distortion) -- were sent on cross-country tours to engage people in the flavor competition/voting through live events over four weeks, starting May 1.

The teams got the ball rolling by using online and social media to let people know about the tour and doing some initial organization of campaigning theme challenges that would involve activities like skateboarding competitions, art exhibits, and sampling opportunities at concerts/sporting events. But fans were told they would be calling the shots on which cities were visited and the specifics of activities to take place in their areas, including input on venues.

As a result, many event decisions were made on the fly, based on consumers' input via Twitter and a dedicated microsite. Fans also were urged to rally friends and families to participate in the events, post photos and video content online and vote for their favorite flavor.

The results were eye-opening, says Matt Statman, founder of Motive, the lead creative agency for the tour, who estimates that about 60% of tour activity decisions were made by consumers.

The teams distributed about 60,000 samples of the Dew flavors, made direct, in-person contact with more than 100,000 consumers, and generated more than 1.5 million total impressions in person, online and through social media, he tells Marketing Daily.

Equally important was the level of personal involvement exhibited by fans. "I've been doing event marketing for 20 years," says Statman. "Usually, tours are so prepared, with the costs and logistics of each stop pinned down well in advance. This experience was a game-changer, from my perspective. Tapping the 'collective intelligence' by turning decisions over to consumers resulted in far more opportunistic and meaningful engagement. The loyalty- and community-building results were huge. I'll definitely be thinking about using the core concept for future campaigns."

Consumers proved eager to bring the tours to their towns, frequently volunteering or securing low- or no-cost venues in their communities, as well as generating local coverage of their events. For instance, one avid Dew fan threw a party in his own basement, and was interviewed about it the next day on a local ABC-TV affiliate.

Large venues like arenas also proved quite receptive to last-minute Dew-fan "crash" sampling events during concerts and sports events, and many even offered lower-than-normal rates for hosting these "guerrilla" events, reports Statman. An unexpected but welcome side benefit: The tour's overall activation costs came in well under budget.

Some of the events that took place during the tour:

  • As part of a "Say I Dew Challenge" theme, Team White Out hosted a Mountain Dew-themed wedding in Portland, Ore. that was covered by the local CBS affiliate. Team Typhoon hosted a wedding reception (with a Typhoon cake) for two Dew fans being married in Gatlinburg, Tenn. In Detroit, Team Distortion took part in nuptials that featured the soda flavor's color theme.
  • Each team collected endorsements for its flavor, ranging from the mayor and fire department of Pigeon Forge, Tenn. to a visit/inspirational message from "Benjamin Franklin" during a Philadelphia event.
  • An "Art of Good Taste" challenge encouraged fans to tap into their local art scenes to create events and bring the teams to their towns. Team White Out hosted a poster show in which local Denver artists submitted prints with their interpretations of a "White Out" theme. Team Distortion took part in a rooftop graffiti show in New York City, and Team Typhoon participated in a fashion show in Nashville.
  • As part of a "Skate Competition/Parkour Challenge," Team Typhoon organized a skating competition in Vans Skate Park in Orlando, Fla. and Team Distortion held one in Philadelphia. Team White Out held a "Parkour Jam Session" in Kansas City, Mo.
  • In a "Dew Goes Pro" challenge, teams attended and brought sampling opps to both professional (New York Mets, Durham Bulls, Seattle Mariners) and regional league team games.
  • Each team took part in identifying concerts to "crash," which Dew fans attended with glow sticks, beach balls and ample soda samples. Concerts crashed included Seether, 2am Club with Mike Posner and April Smith & The Great Picture Show.
  • All three teams were on hand for the Indy 500 weekend and tour finale. More than 20,000 samples were distributed from locations along the parade route and outside the Indianapolis Motor Speedway.

PepsiCo recently announced that the White Out flavor won the competition, pulling 44% of votes versus 40% for Typhoon and 16% for Distortion. In total, the campaign reportedly drew more than 2 million votes, and increased the brand's Facebook fans by nearly 800,000.

For more information visit www.mediapost.com

Public Venue Video Attracts Viewers, Makes Sales

By numantra on June 1, 2010 9:08 AM

Research Brief

FROM THE CENTER FOR MEDIA RESEARCH

 

Monday, May 31, 2010

 

According to a new Arbitron study, more than 70% of the U.S. population, or 181 million, have viewed a digital video display out of home in the past month, while 52% of the population, or 135 million, have viewed digital video display in the past week.

Digital video in public venues reaches more Americans each month (70%) than video over the Internet (43%) or Facebook (41%).

The report notes that DOOH video dwarfs many prominent new media and marketing platforms. More American teens and adults have seen a digital video screen at a public venue in the past month than have watched online video.

More people see digital video screens in public venues than have ever sent or received a text message, own a DVR, such as a TiVo or recorder provided through their cable or satellite TV provider, or have a Facebook profile.

Comparing the Reach of Digital Place-Based Video to Other Media

Media

Reach (% of Population)

Monthly digital place-based video

70%

Ever send or receive text messageon cell phone

56%

Have an MP3 player

44%

Monthly online video

43%

Own a DVR

41%

Have a Facebook profile

41%

Source: Arbitron Research, May 2010

Viewers are engaged with the content, says the report, with 47% of those who have seen a digital place?based video in the past month specifically recall seeing an ad. 19% of those who have seen a digital video ad say they have made an unplanned purchase after seeing an item featured on the screen.

Based on surveys of 1,700 people, the study is said to be the industry's first universe estimates for 19 different venue categories to compare the reach of individual networks to the potential reach of the venue. Diane Williams, senior media research analyst for Arbitron, says "It's a first step in setting the groundwork for determining just how big the audience is."

Video displays in grocery stores, visited by 97% of the population, get the most notice with 72 million viewing a display in the past month. Displays in shopping malls are viewed by 70 million, followed by large retail or department stores, medical or doctors' offices, and movie theaters.

Though the movie venue was No. 5 overall, it ranked number 2 among teens, after shopping malls. For reaching Adults, the top three venues were grocery stores, large retailers, and shopping malls. The least-viewed DOOH venues were elevators and buses, trains or taxis

DOOH Venues Ranked by Viewers (% of People 12+ or 21+ in Bars)

Location

Monthly Viewers (% of Population)

Monthly Viewers (mill)

Grocery store

28%

72

Shopping mall

27%

70

Large retail or dept. store

27%

69

Medical or doctor office

20%

52

Movie theater

19%

50

Gas station

17%

43

Fast food or casual dining

16%

42

Hospital or medical facility

13%

34

Office building lobby

13%

34

Convenience store

12%

31

Drug store

12%

30

Airport

11%

28

Stadium or arena

11%

28

Coffeehouse or sandwhich shop

8% 21

 

Bars

9%

20

Health club

7%

18

Exterior bus, bus shelter, train, taxi

4%

11

Elevator

4%

0

Interior bus, train, taxi

4%

9

Source: Arbitron Research, May 2010

Monthly Digital Video Viewer:  A person who noticed a digital video screen at one of the 18 public venues examined in this report in the past month. The survey question is:

"Many public places now have digital video displays. These video displays look like television screens, but rather than broadcasting regular television stations, they feature short programs and advertising relevant to products in the store. For example, a video display at a local grocery store might show food items for sale, while a video display in the lobby of a local movie theater might show the trailer for an upcoming movie... I'd like you to tell me whether or not you have seen a digital video display... recently...specifically digital video displays... NOT to include TV stations you might have seen on a regular television screen at one of these locations."

Please visit Arbitron here for additional information about the study including access to PDF charts and graphs.

For more information visit www.mediapost.com

 

Cheese Whiz: Kraft Sponsors Stadium Blow-Up

By numantra on January 14, 2010 7:21 AM

MEDIAPOSTNEWS

MEDIA Daily News

Cheese Whiz: Kraft Sponsors Stadium Blow-Up

by David Goetzl, Yesterday, 5:14 PM

Talk about an explosion in marketing messages. Kraft is sponsoring the implosion of the famed Texas Stadium -- now slated for April 11 -- as it looks to plug a new version of its Mac & Cheese brand.

With the Dallas Cowboys having vacated the historic venue, the Irving, Texas city council has a $150,000 arrangement with Kraft for naming rights on the stadium's destruction.

Companies have placed their names on stadiums for years, such as the American Airlines Center in nearby Dallas, but this is believed to be a first time for an implosion.

Irving is not profiting from the agreement directly. Kraft is donating $75,000 to local charities, as well as various products valued at the same figure to local nonprofits.

Kraft is branding the process a "Cheddar Explosion" with an essay contest to select a young person to press the button.

Irving is broadcasting the $5.8 million cratering process on the Internet, which will include two cameras located inside the stadium that will go down with the walls.

The Cowboys played in the Irving stadium with a gigantic hole in the roof for 37 years. This season, the Cowboys moved into a stadium nearby that still does not have a naming partner.

 

For more information visit www.mediapost.com

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